Michael Najjar (Photographer) Wiki, Biography, Age, Wife, Net Worth

Find Below Wiki Age, weight, Height, Net Worth as Wikipedia, Wife, There is no question is the most popular & Rising celebrity of all the time. You can know about the net worth Michael this year and how he spent his expenses. Also find out how he got wealth at the age of 56. He has a kind heart and lovely personality. below you find everything about him.

Michael Najjar Wiki, Biography

Date of Birth 31 October 1966
Birth Day April 2
Birth Years 1985
Age 56 years old
Birth Place Landau in der Pfalz
Birth City
Birth Country Germany
Nationality German
Famous As Photographer
Also Known for Photographer
Zodiac Sign
Occupation Photographer

Also Known by the Full name , is a Good Photographer. He was born on 31 October 1966, in Landau in der Pfalz. is a beautiful and populous city located in Landau in der Pfalz Germany.

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Net Worth

has a net worth of $1.5 million (Estimated) which he earned from his occupation as Photographer. Famously known as the Photographer of Germany. He is seen as one of the most successful Photographer of all times. Wealth & Primary Source of earning is being a successful German Photographer.

Michael entered the career as Photographer In his early life after completing his formal education..

Net Worth

Estimated Net Worth in 2022 $0.5 Million to $1.5 Million Approx
Previous Year’s Net Worth (2021) Being Updated
Earning in 2021 Not Available
Annual Salary Being Updated
Cars Info Not Available
Income Source Photographer

‘s official Twitter account

The Photographer with a large number of Twitter followers, with whom he shares his life experiences. Michael is gaining More popularity of his Profession on Twitter these days. You can read today’s latest tweets and post from ‘s official Twitter account below, where you can know what he is saying in his previous tweet. Read top and most recent tweets from his Twitter account here…


Social Network

Born on 31 October 1966, the Photographer is Probably the most famous person on social media. Michael is a popular celebrity and social media influencer. With his huge number of social media followers, he frequently shares numerous individual media files for viewers to comment with his massive amount of support from followers across all major social media sites. Affectively interact with and touch his followers. You can scroll down for information about his Social media profiles.

Social Media Profiles and Accounts

Twitter Michael Najjar Official Twitter
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Wikipedia Wikipedia
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Website Visit his Website
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Life Story & Timeline


Es Baluard, Museu d’Art Modern i Contemporani de Palma (ed.): “en privat1” ex. cat., Museo Es Baluard, Palma, Spain, 2008


Since 2017 Najjar is working on new photographic works and videos on the topic of Terraforming. His new works combine footage taken during a three-week trek through Iceland in early 2017 with Martian landscapes shot by NASA’s Curiosity Mars rover and by the HiRES satellite. Calving glaciers, shiny ice caves and powerful waterfalls enter into a visual dialogue with the vast desert landscapes of Mars. Implicit in the visual dialogue is the paradox that humankind might need to transform Mars into an inhabitable environment precisely because we are transforming our home planet into an uninhabitable one.

Feireiss, Lukas (ed.), Najjar Michael (ed.), Planetary Echoes. Exploring the implications of human settlement in space, Leipzig, Germany 2017


The “Space Suite” was commissioned by Kameha CEO Carsten K. Rath. In 2016 the “Space Suite” by Studio Michael Najjar was nominated as a finalist for the European Hotel Design Award for the best new Hotel Suite in Europe.


In October 2015 Studio Michael Najjar unveiled the world’s first futuristic “Space Suite“ at the Kameha Grand Zurich, Switzerland. The “Space Suite” is a sculptural artwork which has become a habitable zone. The basic idea underpinning the “Space Suite” is to create an immersive environment which makes hotel guests – or crew members – feel like they’re living on an actual space station.


Works from the “outer space” series have been exhibited internationally in numerous galleries and museums. In 2014, DISTANZ Verlag, Berlin, published a comprehensive book on the series.

Najjar, Michael (ed.). outer space. Distanz Verlag, Berlin, Germany 2014


Michael Najjar’s “outer space” work series deals with the latest developments in space exploration and the way they will shape our future life on Earth, in Earth’s near orbit and on other planets. The cultural dimension represented by emergent cutting-edge space technologies is very much at the center of Najjars’s work – in terms of the deeper knowledge these new technologies will impart about the universe, their impact on space travel, and the way they will influence and shape our lives and work on Earth. This ongoing series started in 2011 with the final launch of the American Space Shuttle Atlantis and currently comprises 24 photographic artworks and 4 video works. The artist has traveled to the world’s most important spaceports like the Kennedy Space Center, Baikonour Cosmodrome in Kazakhstan and the Guiana Space Centre near Kourou in French Guiana. He has met with numerous scientists, engineers and astronauts, and visited space laboratories around the globe constructing new spacecrafts, satellites and telescopes. He traveled to the Atacama Desert in Chile to photograph the world’s most powerful telescopes located at sites across high altitude plateaus in the Andes. His collaboration with leading scientists and space agencies has given him privileged access to locations which are usually unknown to and unseen by the public. The present series blends documentary and fictive scenarios to create visionary enactments of current and future space exploration.


Bollmann, Philipp (ed.): “In-Sight – Photographs from the Wemhöner Collection”, Kerber Verlag, Bielefeld, Germany, 2012


Najjar, Michael (ed.): “high altitude” Kerber Verlag, Bielefeld, Germany, 2011

Bollmann, Philipp (ed.): “Focus Asia – Einblicke in die Sammlung Wemhöner” Kerber Verlag, Bielefeld, Germany, 2011

Kolczynska, Paulina “Identity, or on a variety of perspectives” in: “Identity – Photographs of the Grazyna Kulczyk Collection” ex. cat., Poznan, Poland, 2011

Museum für Kunst und Gewerbe (ed.): “Portraits in series – a century of photographs” ex. cat., Kerber Verlag, Bielefeld, Germany, 2011

Rau, Bodo (Ed.): “Architektur in der Kunst – Architekturen des Augenblicks” ex. cat., Bahnitz, Germany, 2011

Herschdorfer, Nathalie (ed.): “High altitude – Photography in the mountains” ex. cat., 5 continents editions, Milan, Italy, 2011

Melis, Wim (ed.): “metropolis” Stichting Aurora Borealis, Photo Festival, Groningen, Netherlands, 2011

Klanten, Robert / Ehmann, Sven / Schulze, Floyd (eds.): “Visual storytelling: inspiring a new visual language” Die Gestalten Verlag, Berlin, Germany, 2011


Damian, Angela / Azoulay, Eliabeth / Frioux, Dalibor (eds.): “100.000 years of beauty” Editions Babylone, Paris, France, 2010

Klanten, Robert / Ehmann, Sven / Bourquin, Nicolas (eds.): “data flow 2” Die Gestalten Verlag, Berlin, Germany, 2010


Klanten, Robert / Feireiss, Lukas (eds.): “Beyond architecture. Imaginative buildings and fictional cities” Die Gestalten Verlag, Berlin, Germany, 2009

Kerner, Charlotte (ed.): “next generation” Belz & Gelberg, Weinheim, Germany, 2009

Sasse, Julie (ed.): “Trouble in paradise: examining the discord between nature and society” ex. cat., Tucson Museum of Art, Tucson, USA, 2009


For “high altitude“ (2008–2010) Michael Najjar climbed Mount Aconcagua whose 6,962 meters (22,841 feet) make it the highest mountain on the planet outside of Asia. In the Andes Najjar photographed mountain ridges whose petrified zigzag curves served him as a representation of the monumentality of financial markets. He patterned the shots he took on the expedition rigorously on the fluctuations of international stock exchange indices. What he shows are the ups and downs of the markets, and how market reality and simulation are so intertwined as to be almost indistinguishable. What we see are the movements of the tectonic plates of the global economy over the past twenty to thirty years in whose course new peaks are thrown up and earthquakes and erosion are inevitable. Najjar shows the sublime in an age when information technology has become all-powerful.

Edgar Quadt (ed.): “Artinvestor – Wie man erfolgreich in Kunst investiert” Finanzbuch Verlag, Munich, Germany, 2008

Miha, Andy (ed.): “Human futures: art in an age of uncertainty” Fact & Liverpool University Press, Liverpool, UK, 2008

Bitforms Gallery / Galería Juan Silió / Najjar, Michael (Ed.): “bionic angel” Berlin, Germany, 2008

Scarpato, Rosario / Piccioni, Monica (eds.): “Map games: dynamics of change” ex. cat., Central Academy of Fine Arts, Beijing, China, 2008

Sacks, Steve (ed.): “bitforms gallery” bitforms gallery, New York, USA, 2008


Ewing, William (ed.): “Face – the new photographic portrait” Thames & Hudson, London, UK, 2006

Herrera, Nelson (ed.): “9th Havana Biennal 2006” ex. cat., Centro de Arte Contemporáneo Wifredo Lam Havana, Cuba, 2006

Sanz, Antonio (ed.): “C on cities” ex. cat., 10. Mostra Internazionale di Architettura La Biennale di Venezia, Italy, 2006

Himmelsbach, Sabine (ed.): “Sichtbarkeiten” ex. cat., Edith-Ruß-Site for Media Art, Oldenburg, Germany, 2006

Bitforms / Juan Silió / Guy Bärtschi / Najjar, Michael (eds.): “netropolis” Berlin, Germany, 2006


Najjar, Michael (ed.): “japanese style” ex. cat., Federal Foreign Office, Berlin, Germany, 2005

Mellis, Wim (ed.): “traces and omens” Stichting Aurora Borealis, Photo Festival, Groningen, Netherlands, 2005


Szeemann, Harald (ed.): “The beauty of failure / the failure of beauty” ex. cat., Fundació Joan Miró, Barcelona, Spain, 2004

Kemp, Sandra (ed.): “Future face – image, identity, innovation” Profile books ldt, ex. cat., Science Museum London, London, UK, 2004

bitforms gallery / Najjar, Michael (eds.): “netropolis” Berlin, Germany, 2004


Michael Najjar’s work series “netropolis” (2003–2006) is an exploration of the way global cities will develop in the future. Najjar travelled around the globe and climbed – often evading the security guards – the highest towers of twelve megacities. His panoramic view transforms the reality of urban spatial structure into landscape. The digital fusion of panoramic views taken from different angles transforms the landscape into a woven fabric of relationships. The work shows the endless ocean of information, an all pervasive network. A compression of space and time evoking intense and constantly growing global interconnectivity.

Felix, Zdenek (ed.): “A clear vision. Photographische Werke aus der Sammlung F.C. Gundlach” Hatje Cantz Verlag, ex. cat., International House of Photography Deichtorhallen, Hamburg, Germany, 2003

Goethe-Institut New York, Najjar, Michael (eds.): “Information and Apocalypse” ex. cat., Goethe-Institut New York Berlin, Germany, 2003


Explorafoto y Fundación Salamanca Ciudad de Cultura (ed.): “Michael Najjar – information and apocalypse” ex. cat., DA2, Domus Artium 2002, Salamanca, Spain, 2007

Panera, Javier (ed.): “Mascaradas politicas” Explorafoto – Festival Internacional de Fotografía de Castilla y León. ex. cat., DA2, Domus Artium 2002, Salamanca, Spain, 2006

Triennale der Photographie Hamburg (ed.): “Reality-Check” ex. cat., 2. Triennale der Photographie, Hamburg, Germany, 2002


van Sinderen, Wim (ed.): “Augmented realities – Michael Najjar works 1997-2008” ex. cat., GEM – The Hague Museum of Photography Veenman Publishers, Rotterdam, Netherlands, 2008

Klanten, Robert / Peyerl, Andreas (eds.): “Surreality localizer” Die Gestalten Verlag, Berlin, Germany, 1997


Najjar attended the bildo Academy of Arts in Berlin from 1988 – 1993, where he was trained intensively in conceptional and interdisciplinary art practices. During this time he got in touch with media philosophers such as Vilém Flusser, Paul Virilio and Jean Baudrillard, which have had a strong influence on his later work. The marked global outlook shown in his art is colored by his life and work in Brazil, Cuba, Spain, England, Japan and the United States. Najjar currently works on a new series entitled “outer space“, which is dedicated to the latest developments in space technologies. He is one of Virgin Galactic´s Pioneer Astronauts and will be the first artist in space.


Philipp, Gabriele (ed.): “Mythos St.Pauli – Photographien 1967-2002” ex. cat., Museum für Kunst und Gewerbe, Bönnigheim, Germany, 2002


Michael Najjar is a German photographer, adventurer and future astronaut. He was born 1966 in Landau, Germany. Since 1988, he has lived and worked in Berlin.


Michael Najjar belongs to the contemporary artistic vanguard taking a critical look at the technological forces shaping the 21st century. In his photo and video works Najjar approaches art with an interdisciplinary mindset, transmuting the fields of science, art, and technology into visions and utopias of future social structures emerging under the impact of cutting-edge technologies. In his considered approach to the means and possibilities of photography, Najjar’s conceptual work magnifies and re-examines the potential of the photographic image by a constant reconstruction of time and space using a wide range of techniques in thematically focused series. His pictorial language of form and content guides the view into a complex construction of simulated reality. Along this, the performative aspect of his artistic practice has shifted more into focus, since he has decided to become an astronaut and fly into space on board a new spaceship. He now uses his own body for performative action putting himself in highly complex technical environments.

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